#Scarbee jay bass strum upgrade

The interaction between the shape and the root string can seem counter-intuitive, with unexpected results occurring constantly, and I've still not mastered the process. A potential misunderstanding here is that although frets selected on the fretboard graphic suggest they represent the pitch, they are defining relative note intervals, ie. Strings can be excluded, or forced to always be an open string regardless of chord position, or specified as the root string.

As with the Strum Settings page, shapes can be configured with individual sounds and behaviour for each string. If the chord shape you need isn't in SR5В 2's repertoire you can, in theory, construct it on the User Chord screen. User-defined chord shapes can be saved to any of 10 User slots individual string behaviour is also saved for each shape.

#Scarbee jay bass strum upgrade

This upgrade sees the instrument coming of age, adding extra performance details and functionality. Improvements over v.1 are a larger selection of noise types (10 instead of v.1's six) and a choice of multiple types of certain noises. The three Hold keys F1 to G1 work similarly, but mute the sound and trigger the release noise if they are being held down when you let go of the note you're playing. These can be freely mixed and matched to taste from a list of 10 types. Of these six, three Stop keys, G#1 to A#1, immediately mute the sound when pressed, simultaneously triggering release noises or similar characteristic artifacts. When you play a note or chord it continues to sound (and decay) either until you play a new note, or until you stop it using one of the six Play keys. The Play Key system works just as in v.1: it determines how notes end.